Spectators on the balcony of a residential building watch Antonina Vyshyvanova of Ukraine dive off the roof of the Institute of Contemporary Art while competing at the Red Bull Cliff Diving World Series in Boston, Massachusetts, U.S., June 3, 2022. REUTERS/Brian Snyder TPX IMAGES OF THE DAY 

Adriana Jimenez of Mexico dives off the roof of the Institute of Contemporary Art while competing at the Red Bull Cliff Diving World Series in Boston, Massachusetts, U.S., June 3, 2022. REUTERS/Brian Snyder 

Alessandro De Rose of Italy dives off the roof of the Institute of Contemporary Art while competing at the Red Bull Cliff Diving World Series in Boston, Massachusetts, U.S., June 3, 2022. REUTERS/Brian Snyder 

Iris Schmidbauer of Germany dives off the roof of the Institute of Contemporary Art while competing at the Red Bull Cliff Diving World Series in Boston, Massachusetts, U.S., June 3, 2022. REUTERS/Brian Snyder 

Genevieve Bradley of the U.S. dives off the roof of the Institute of Contemporary Art while competing at the Red Bull Cliff Diving World Series in Boston, Massachusetts, U.S., June 3, 2022. REUTERS/Brian Snyder 

Maria Paula Quintero of Colombia dives off the roof of the Institute of Contemporary Art while competing at the Red Bull Cliff Diving World Series in Boston, Massachusetts, U.S., June 3, 2022. REUTERS/Brian Snyder 

Catalin Preda of Romania dives off the roof of the Institute of Contemporary Art while competing at the Red Bull Cliff Diving World Series in Boston, Massachusetts, U.S., June 3, 2022. REUTERS/Brian Snyder 

Maria Paula Quintero of Colombia dives off the roof of the Institute of Contemporary Art while competing at the Red Bull Cliff Diving World Series in Boston, Massachusetts, U.S., June 3, 2022. REUTERS/Brian Snyder 

Workers move some pieces of the 120-statue art installation #IfThenSheCan – The Exhibit, a collection of 3D printed lifesize statues of contemporary women scientists meant to encourage girls to seek science and technology (STEM) careers, and billed by the Smithsonian Institution as the largest-ever display of statues of women, near the National Mall in Washington, U.S. March 8, 2022. REUTERS/Jonathan Ernst 

Workers move some pieces of the 120-statue art installation #IfThenSheCan – The Exhibit, a collection of 3D printed lifesize statues of contemporary women scientists meant to encourage girls to seek science and technology (STEM) careers, and billed by the Smithsonian Institution as the largest-ever display of statues of women, near the National Mall in Washington, U.S. March 8, 2022. REUTERS/Jonathan Ernst 

Workers move pieces of the 120-statue art installation #IfThenSheCan – The Exhibit, a collection of 3D printed lifesize statues of contemporary women scientists meant to encourage girls to seek science and technology (STEM) careers, and billed by the Smithsonian Institution as the largest-ever display of statues of women, near the National Mall in Washington, U.S. March 8, 2022. REUTERS/Jonathan Ernst 

Workers move pieces of the 120-statue art installation #IfThenSheCan – The Exhibit, near the National Mall in Washington, D.C., U.S. March 8, 2022. The installation consists of a collection of 3D printed lifesize statues of contemporary women scientists, is meant to encourage girls to seek science and technology (STEM) careers, and is billed by the Smithsonian Institution as the largest-ever display of statues of women. REUTERS/Jonathan Ernst 

Workers move pieces of the 120-statue art installation #IfThenSheCan – The Exhibit, a collection of 3D printed lifesize statues of contemporary women scientists meant to encourage girls to seek science and technology (STEM) careers, and billed by the Smithsonian Institution as the largest-ever display of statues of women, near the National Mall in Washington, U.S. March 8, 2022. REUTERS/Jonathan Ernst 

A man moves one piece of the 120-statue art installation #IfThenSheCan – The Exhibit, a collection of 3D printed lifesize statues of contemporary women scientists meant to encourage girls to seek science and technology (STEM) careers, and billed by the Smithsonian Institution as the largest-ever display of statues of women, near the National Mall in Washington, U.S. March 8, 2022. REUTERS/Jonathan Ernst 

Workers move pieces of the 120-statue art installation #IfThenSheCan – The Exhibit, a collection of 3D printed lifesize statues of contemporary women scientists meant to encourage girls to seek science and technology (STEM) careers, and billed by the Smithsonian Institution as the largest-ever display of statues of women, near the National Mall in Washington, U.S. March 8, 2022. REUTERS/Jonathan Ernst 

Chelsea Manning poses for photographs at the Institute of Contemporary Art in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Chelsea Manning poses for photographs at the Institute of Contemporary Art in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Chelsea Manning poses for photographs at the Institute of Contemporary Art in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Chelsea Manning poses for photographs at the Institute of Contemporary Art in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Chelsea Manning poses for photographs at the Institute of Contemporary Art in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Chelsea Manning poses for photographs at the Institute of Contemporary Art in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Chelsea Manning poses for photographs at the Institute of Contemporary Art in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Chelsea Manning poses for photographs at the Institute of Contemporary Art in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Chelsea Manning poses for photographs at the Institute of Contemporary Arts in London, Britain, October 1, 2018. REUTERS/Hannah McKay 

Catherine, Duchess of Cambridge arrives at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William talks with people at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William talks with people at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William, Kate Duchess of Cambridge and Prince Harry pose for p hotograph at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William talks with people at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William and Catherine, Duchess of Cambridge talk with marathon participants at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge talks people at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince Harry talks with marathon participants at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William and Catherine, Duchess of Cambridge talk with marathon participants at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge looks up at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William, Kate Duchess of Cambridge, Prince Harry, Steve Jackson and Jon Salmon pose for a picture at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge speaks at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge adjusts Jon Salmon's headband at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Former Manchester United player Rio Ferdinand speaks at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge speaks at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince Harry speaks at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge smiles at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William and Kate Duchess of Cambridge leave the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William, Kate Duchess of Cambridge and Prince Harry leave the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Britain's Prince William, Kate Duchess of Cambridge and Prince Harry leave the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge arrives at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge arrives at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge arrives at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge arrives at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge arrives at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Catherine, Duchess of Cambridge arrives at the Institute of Contemporary Arts in central London, Britain January 17, 2017. REUTERS/Stefan Wermuth 

Musician and artist Paul Simonon poses with his artwork "Joe's Jacket" (L) (a picture of a jacket given to him by Joe Strummer in exchange for a painting) and "Rocker" (R) at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY) 

Musician and artist Paul Simonon poses with his artwork "Joe's Jacket" (L) (a picture of a jacket given to him by Joe Strummer in exchange for a painting) and "Rocker" (R) at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY) 

Musician and artist Paul Simonon poses with his artwork "Black Bonneville" (L) and "59 Club" (R) at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY) 

Musician and artist Paul Simonon poses whilst smoking at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY) 

Musician and artist Paul Simonon poses with his artwork "Buckles and Boots" (L) and "His & Hers" (R) at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY) 

Musician and artist Paul Simonon poses with his artwork "Wot! No Bike?" (a picture of a jacket given to him by Joe Strummer in exchange for a painting) at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY) 

Musician and artist Paul Simonon poses whilst smoking at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY) 

Musician and artist Paul Simonon poses with his artwork "Joe's Jacket" (L) (a picture of a jacket given to him by Joe Strummer in exchange for a painting) and "Rocker" (R) at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY) 

Musician and artist Paul Simonon poses with his artwork "Wot! No Bike?" (a picture of a jacket given to him by Joe Strummer in exchange for a painting) at the ICA (Institute of Contemporary Arts) gallery in London January 20, 2015. Simonon, the bass guitar player of The Clash, presented an autobiographical, still life exhibition of oil paintings entitled "Wot No Bike" on Tuesday, which will open to the public on January 21 and run until February 6. REUTERS/Luke MacGregor (BRITAIN - Tags: ENTERTAINMENT SOCIETY HEADSHOT) 

Nadia Beugre, a contemporary dance choreographer from Ivory Coast, performs during her show named "quartier libre"(free territory) at the Festival MASA (Market for African Performing Arts) of Abidjan at the Goethe Institut in Abidjan March 5, 2014. REUTERS/Luc Gnago (IVORY COASTSOCIETY - Tags: ENTERTAINMENT SOCIETY)