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Pictures Report 

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Artifacts of the slave trade 
Ahead of the 400-year anniversary, Reuters photographers visited museums in Ivory Coast, Nigeria, South Africa and Britain displaying items from the Africa to North America slave trade. 
AFRICA-SLAVERY/ARTEFACTS
RTX70XYH 
July 25, 2019 
A seal from the Registrar of Slaves and Deeds is seen on display at the Slave Lodge Museum in Cape Town,... 
Cape Town, South Africa 
A seal from the Registrar of Slaves and Deeds is seen on display at the Slave Lodge Museum in Cape Town... 
A seal from the Registrar of Slaves and Deeds is seen on display at the Slave Lodge Museum in Cape Town, South Africa. The wax impression dates from between 1816-1838.
REUTERS/Mike Hutchings 
AFRICA-SLAVERY/ARTEFACTS
RTX70Y18 
July 25, 2019 
A slave certificate from the Registrar of Slaves and Deeds on display at the Slave Lodge Museum in Cape... 
Cape Town, South Africa 
A slave certificate from the Registrar of Slaves and Deeds is seen on display at the Slave Lodge Museum... 
A slave certificate from the Registrar of Slaves and Deeds on display at the Slave Lodge Museum in Cape Town, South Africa. After 1808 when the importation of slaves was no longer allowed, slave sales were more tightly controlled and certificates such as this were issued as a means of record-keeping. REUTERS/Mike Hutchings 
AFRICA-SLAVERY/ARTEFACTS
RTX70XYN 
July 25, 2019 
A slave bell, that dates from 1775, on display at the Slave Lodge Museum in Cape Town, South Africa.... 
Cape Town, South Africa 
A slave bell, that dates from 1775, is seen on display at the Slave Lodge Museum in Cape Town 
A slave bell, that dates from 1775, on display at the Slave Lodge Museum in Cape Town, South Africa. It has its origins from the Estate of Burgher Lieutenant Michiel van Breda in 'Oranje Zigt' now know as Orangjezicht in Cape Town and according to the museum was used to summon slaves for work and to mark the end of the day. Michiel van Breda had nineteen male slaves, eleven of whom were from Bengal and described as 'gardeners'. REUTERS/Mike Hutchings 
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